Nature/Despair

Graphic Design Visual Art

A scanograph or xerox art composition depicting a distorted and warped representation of nature. The overall tone of the artwork is one of despair and destruction, with the organic elements appearing fragmented and disfigured. The black-and-white composition features textures and glitches that add to its aesthetic.
Nature/Destruction
Through the use of scanning and xerox techniques, the abstract image showcases a contorted and fragmented portrayal of nature, evoking a sense of unease and disturbance. The black-and-white composition features textures and glitches that add to its aesthetic.
Nature/Contortion

The Background

Climate change, negligence, and ignorance constantly impact the environments in which we live. Landscapes can be ruined, destroyed and warped by what humans do.

Walking through parks and woodlands, litter can be found caught in trees or floating in ponds or streams. Plastic can be found in the nests and burrows of wildlife.

Extreme weather, such as heat or flooding, impacts and harms humans and wildlife.

These factors cause sadness and despair, with more needing to be done to care for the planet.

The image showcases a scanograph and xerox art composition depicting a distorted and warped representation of natural elements. The abstract artwork creates an unsettling effect, highlighting the fragility and vulnerability of nature. The black-and-white composition features wavy shapes and glitches that add to its aesthetic.
Nature/Distortion
A visually distorted and warped representation of natural elements, symbolising the decay and destruction of the environment. The scanography style has created abstract, wavy, and glitched forms, reflecting the consequences of human impact on nature. The fragmented forms and textures are high contrast due to the monochrome palette.
Nature/Ruin
A scanography artwork depicting distorted and warped representations of natural elements. In this piece, some fragments of trees and leaves can be seen, but they are wavy and glitched. The abstract artwork is in black-and-white.
Nature/Wane

The Response

I wanted to create visuals to raise awareness of the devastation that occurs in the natural world.

Using a process known as scanography or Xerox art, I placed photographs of nature onto a flatbed scanner.

Whilst an image was copied, I moved it around on the scanner plate. This creates distortions and warping - with no output ever being the same way. This variation and difference highlight how humans do not fully know the impact of climate change on nature.

I kept most of the visuals in black-and-white to indicate the starkness of the subject.

Some of the visuals I turned into negatives and developed these using alternative photography processes including cyanotype and SolarFast. These visuals have a softer feel, and the colour represents nature being restored, looking like rivers flowing. I used this approach to demonstrate how we can help the natural world.

A cyanotype created from the Nature/Contortion scanograph piece. The dark blue background and lighter blue abstract shapes create a sense of flowing water.
Nature/Contortion (Cyanotype)
A cyanotype created from the Nature/Distortion scanograph piece. The light blue background and dark blue organic shapes and elements create a serene feel, linking with flowing water and nature.
Nature/Distortion (Cyanotype)
A SolarFast print created from the Nature/Destruction scanograph piece. The pale pink background and darker pink abstract shapes add a softness, linking with the colours of flora and fauna.
Nature/Destruction (SolarFast)
A SolarFast print created from the Nature/Wane scanograph piece. The pale pink background and darker pink abstract shapes add a softness, with no harsh contrasts.
Nature/Wane (SolarFast)

The Response - Continued

The visuals were included in outdoor pop-up exhibits. Placed in woodlands, parks, and natural spaces, the visuals were temporarily exhibited in a way to represent litter and destruction. The exhibits encouraged viewers to consider what can be done to save natural spaces.

The visuals in the exhibitions were carefully monitored and re-collected each day, so there was no negative impact on the environment.

A print titled 'Nature/Decline' is nestled within green ivy. It is positioned in the middle bottom of the photograph framing.  There is slight bending and creasing to the paper of the print, due to the impact of its outdoor setting.
Nature/Decline print outdoors in ivy
A close-up photograph showing a print titled 'Nature/Blurry' stuck in a green hedge. In the out-of-focus background, snow can be seen.
Nature/Wane print outdoors in a hedge
A photo of two exhibition catalogues stacked on top of each other. The front cover of the catalogues showcase a warped scanograph to the left, with the text 'Nature/Despair' displayed prominently in a sans serif font on the right. The catalogues are printed in black-and-white.
Front cover of the Nature/Despair exhibition catalogue
A zoomed-in photograph shows the interior of the exhibition catalogue. The page on the left provides an overview of the artist's exploration of the theme of despair in nature. This is written in black sans serif text on a white background. The page on the left highlights the artworks presented in the exhibition, with thumbnails of each piece and its title.
Inside pages of the Nature/Despair exhibition catalogue